Self reflection, and a CHARLES DUMP

Sketch book portraits.

These are some portraits I had in my sketchbook that I thought I'd gussy up.
The first one of Charles, is about four or five months old.

You'll notice that the alien is in fact, a ballet teacher.

And as for the pirates, well. If you ever find me riding along side your bike with mine, it means I'm pretending to blast you out of the water.
True story.

CHARLES

In the beginning of summer I started using a moleskin sketchbook instead of my usual leather bound 8.5 x 11 sketchbooks. The reason for this was because I'm going to have to get used to smaller formats, so I figured it'd be good practice to jump ship.

I had, at this point, developed an even larger ego, so when the first few pages didn't turn out well, I just ripped them out. After several frustrating pages, torn asunder, I drew this first comic.

Little did I know the consequences of this plucky little demon. I liked the look of him very much, and drew a portrait of him, but that was all for the next couple months.

In college, I found myself drawn to him again, and I began making comics that explored his personality more. What I discovered was a lewd, brutal, cynical, malevolent little shit, that I soon realized was the incarnation of my id.

Like seriously, this is it. He is called Charles.

I grappled with making him a thoughtful, complex character, but the more I tried the more he rebelled. I found that he'd always end up screaming in comics, simply for the sake of destroying the clarity. He lives for controversy.

I even went as far as introducing him to one of my other favorite characters, the Shakespearean jester from "The Great War" series. But he ended up killing him with an ax. I was so upset that I couldn't finish the comic.

The more blunt, offensive, and nasty I draw him; the more true to his character the comics are.
I didn't intend some of these images, I just found him this way. After this post I'll dump the rest on you.